b.
b.
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Miyajima Deer The deer are a symbol of Miyajima and you can see them elegantly wandering the island everywhere. The deer are sacred and believed to be a messenger of the gods in Shinto. They are treated very well by the locals and aren’t afraid of people.
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lysnk2:
lysnk2:
lysnk2:
lysnk2:
lysnk2:
lysnk2:
lysnk2:
lysnk2:
lysnk2:
lysnk2:
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lucid-dancing:

the face of parenthood
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dekutree:

where the fuck is the bartender
dekutree:

where the fuck is the bartender
dekutree:

where the fuck is the bartender
dekutree:

where the fuck is the bartender
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gvmma:

cinoh:

House in Balsthal by Pascal Flammer | via
Pascal Flammer created this timber house in Balsthal. There are two principal floors; one set 75 cm below the earth, one 1.50 m above. The ground floor consists of one single family room with a noticeably low horizontal ceiling. In this space there is a physical connection with the nature outside the continuous windows.
The space above is the inverse. This floor is divided into four equal rooms with 6m high ceilings. The height defines the space. Large windows open to composed views of the wheat field. Whereas the ground floor is about connecting with the visceral nature of the context, the floor above is about observing nature – a more distant and cerebral activity.
gvmma:

cinoh:

House in Balsthal by Pascal Flammer | via
Pascal Flammer created this timber house in Balsthal. There are two principal floors; one set 75 cm below the earth, one 1.50 m above. The ground floor consists of one single family room with a noticeably low horizontal ceiling. In this space there is a physical connection with the nature outside the continuous windows.
The space above is the inverse. This floor is divided into four equal rooms with 6m high ceilings. The height defines the space. Large windows open to composed views of the wheat field. Whereas the ground floor is about connecting with the visceral nature of the context, the floor above is about observing nature – a more distant and cerebral activity.
gvmma:

cinoh:

House in Balsthal by Pascal Flammer | via
Pascal Flammer created this timber house in Balsthal. There are two principal floors; one set 75 cm below the earth, one 1.50 m above. The ground floor consists of one single family room with a noticeably low horizontal ceiling. In this space there is a physical connection with the nature outside the continuous windows.
The space above is the inverse. This floor is divided into four equal rooms with 6m high ceilings. The height defines the space. Large windows open to composed views of the wheat field. Whereas the ground floor is about connecting with the visceral nature of the context, the floor above is about observing nature – a more distant and cerebral activity.
gvmma:

cinoh:

House in Balsthal by Pascal Flammer | via
Pascal Flammer created this timber house in Balsthal. There are two principal floors; one set 75 cm below the earth, one 1.50 m above. The ground floor consists of one single family room with a noticeably low horizontal ceiling. In this space there is a physical connection with the nature outside the continuous windows.
The space above is the inverse. This floor is divided into four equal rooms with 6m high ceilings. The height defines the space. Large windows open to composed views of the wheat field. Whereas the ground floor is about connecting with the visceral nature of the context, the floor above is about observing nature – a more distant and cerebral activity.
gvmma:

cinoh:

House in Balsthal by Pascal Flammer | via
Pascal Flammer created this timber house in Balsthal. There are two principal floors; one set 75 cm below the earth, one 1.50 m above. The ground floor consists of one single family room with a noticeably low horizontal ceiling. In this space there is a physical connection with the nature outside the continuous windows.
The space above is the inverse. This floor is divided into four equal rooms with 6m high ceilings. The height defines the space. Large windows open to composed views of the wheat field. Whereas the ground floor is about connecting with the visceral nature of the context, the floor above is about observing nature – a more distant and cerebral activity.
gvmma:

cinoh:

House in Balsthal by Pascal Flammer | via
Pascal Flammer created this timber house in Balsthal. There are two principal floors; one set 75 cm below the earth, one 1.50 m above. The ground floor consists of one single family room with a noticeably low horizontal ceiling. In this space there is a physical connection with the nature outside the continuous windows.
The space above is the inverse. This floor is divided into four equal rooms with 6m high ceilings. The height defines the space. Large windows open to composed views of the wheat field. Whereas the ground floor is about connecting with the visceral nature of the context, the floor above is about observing nature – a more distant and cerebral activity.
gvmma:

cinoh:

House in Balsthal by Pascal Flammer | via
Pascal Flammer created this timber house in Balsthal. There are two principal floors; one set 75 cm below the earth, one 1.50 m above. The ground floor consists of one single family room with a noticeably low horizontal ceiling. In this space there is a physical connection with the nature outside the continuous windows.
The space above is the inverse. This floor is divided into four equal rooms with 6m high ceilings. The height defines the space. Large windows open to composed views of the wheat field. Whereas the ground floor is about connecting with the visceral nature of the context, the floor above is about observing nature – a more distant and cerebral activity.
gvmma:

cinoh:

House in Balsthal by Pascal Flammer | via
Pascal Flammer created this timber house in Balsthal. There are two principal floors; one set 75 cm below the earth, one 1.50 m above. The ground floor consists of one single family room with a noticeably low horizontal ceiling. In this space there is a physical connection with the nature outside the continuous windows.
The space above is the inverse. This floor is divided into four equal rooms with 6m high ceilings. The height defines the space. Large windows open to composed views of the wheat field. Whereas the ground floor is about connecting with the visceral nature of the context, the floor above is about observing nature – a more distant and cerebral activity.
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thelovelyseas: Orca or Killer Whale (Orcinus orca) travels down opening leads of ice, making deep dives under ice to hunt Antarctic Cod, McMurdo Sound, Antarctica by Norbert Wu  / minden pictures

thelovelyseas: Orca or Killer Whale (Orcinus orca) travels down opening leads of ice, making deep dives under ice to hunt Antarctic Cod, McMurdo Sound, Antarctica by Norbert Wu  / minden pictures

thelovelyseas: Orca or Killer Whale (Orcinus orca) travels down opening leads of ice, making deep dives under ice to hunt Antarctic Cod, McMurdo Sound, Antarctica by Norbert Wu  / minden pictures

thelovelyseas: Orca or Killer Whale (Orcinus orca) travels down opening leads of ice, making deep dives under ice to hunt Antarctic Cod, McMurdo Sound, Antarctica by Norbert Wu  / minden pictures

thelovelyseas: Orca or Killer Whale (Orcinus orca) travels down opening leads of ice, making deep dives under ice to hunt Antarctic Cod, McMurdo Sound, Antarctica by Norbert Wu  / minden pictures
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ri-science:

Mineral for today:
Carbonate of Copper
British Mineralogy - Volume 1
By James Sowerby 1804, Royal Institution Rare Book Collection
ri-science:

Mineral for today:
Carbonate of Copper
British Mineralogy - Volume 1
By James Sowerby 1804, Royal Institution Rare Book Collection
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its-bliss-baby:

xlways:

nudely:

focalist:

laughing-treees:

adzscott:

Second night camping spot. Somewhere near Wanaka, New Zealand

I dream of New Zealand

I love my country

THIS IS MY HOME AND I COULDN’T BE PROUDER

i guess i take this kind of beauty for granted

home sweet home
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girlsinspo:

yvessaintyayo:

girlannachronism:

Givenchy spring 2012 couture behind the scenes

YvesSaintYayo: home of all things fashion and style.

http://girlsinspo.com/
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deliverism:

lottereinigerforever:

Leonard Whiting & Olivia Hussey in “Romeo and Juliet”

the most beautiful film
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br-eathing:

malformalady:

Long Island sits at the southern end of the Bahamas and has the 2nd deepest blue hole in the world, nestled on the shore. Also known as Dean’s Hole, it plnuges more than 600ft. into darkness. Blue holes are the result of erosion in which water breaks down rock. Rain falling thousands of years ago contained chemicals which slowly wore away at the limestone landmass. These holes later filled with sea water as the sea level changed. The rising and falling of sea levels and the mixture of salt and fresh water further wore away at these cave formations. Blue holes are vertical caves. But they can also have horizontal cave formations that may be hundreds of meters long.
Photo credit: Wes C. Skiles, National Geographic

See I’m learning science on tumblr mum it’s fine
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